Creative Works exists in the in-between stage where a sketch, a reference, or a loose vision gets shaped into something physical, and built to last. Every project brings a new way of seeing form, a new problem to solve, a new detail worth obsessing over. Creativity here isn't a mood. It's a practice — protected through time, research, testing, and care.
Two bespoke items, a fireplace crafted from Macaopa marble and handmade blue-glazed ceramic tiles, and an organic-shaped table finished in textured liquid metal.
Macaopa Marble · Handmade Ceramics · Liquid Metal
View DetailsBring a sketch, a reference, or a feeling. The studio will help translate it into a clear next step.
Book a ConsultationA selection of executed work across categories and scales. Each piece begins with a vision and becomes a collectible through detail, craft, and refinement.
Marble · Ceramics · Liquid Metal
Two bespoke objects for a private residence in Zamalek: a marble and blue-glazed ceramic fireplace, and a sculpted liquid-metal table. Material warmth and sculptural form in one space.
View DetailsCrafted for public spaces and brand worlds. Each project is a statement of identity and experience.
Our commercial portfolio is being prepared. Check back shortly, or get in touch to discuss a project.
Book a ConsultationBespoke pieces for private interiors. Each commission is a deeply personal collaboration.
Marble · Ceramics · Liquid Metal
More projects coming soon
Co-created work with artists and designers. Visual language meets material translation.
Liquid Metal · Straw Marquetry · Marble · Terrazzo
with Nineteen Furniture
Wood · Liquid Metal · Patina
with Nineteen Furniture
More collaborations coming soon
A collectible design program where contemporary artists co-author limited-edition objects with Creative Works. The artist provides the visual language; the atelier provides the material translation.
Now Open
We're seeking contemporary artists with a strong visual language that translates into material, texture, and surface. If your work is ready for a new medium, we'd like to hear from you.
Inquire About Collaboration
Macaopa Marble · Handmade Ceramics · Liquid Metal
Two bespoke items for a private residence in Zamalek. A fireplace surround crafted from Macaopa marble and handmade ceramic tiles, each tile glazed in blue, set within a wooden frame, and arranged by hand to compose a scene drawn from nature. The second piece is an organic-shaped table finished in textured liquid metal, its surface shaped to feel geological rather than designed. Two objects, one space, one conversation between material warmth and sculptural form.
Liquid Metal · Straw Marquetry · Mother of Pearl · Terrazzo · Marble
Various sizes available
A collaboration with Nineteen Furniture that became a playground for material experimentation. Nineteen produced the structure — a sculptural, fork-shaped base — and we explored every finish and surface pairing we could. Liquid metal bases in every tone. Tops in straw marquetry, mother of pearl, terrazzo, marble. Each combination a different object entirely. Widely customizable in material, finish, and size.
Wood · Liquid Metal · Patina
A chair you have to see up close. Hand-carved from edge to edge, coated in liquid metal, then patina-treated until the surface turned blue-green and bronze in layers. Debuted at Cairo Design Week.
Original pieces from the studio, developed as collectible works and customizable starting points.
Resin · Liquid Metal
45 × 35 cm
Beech Wood · Straw Marquetry
45 × 35 cm
Beech Wood · Straw Marquetry · Resin
110 × 40 cm
Resin · Liquid Metal
100 × 42 × 40 cm
Liquid Metal · Walnut
Edition of 8 — 5 remaining
A console born from material research into the tension between warm timber and cool, reflective liquid metal. The surface shifts between bronze and silver depending on the viewing angle. Each edition is hand-finished over three weeks, carrying the signature of its making and the time invested in its refinement.
Resin · Pigment · Timber
Edition of 12 — 9 remaining
Layers of tinted resin and natural pigment are built up over a timber core, creating a cross-section of color that shifts with depth and light. Each panel is unique in its color composition while following the same layering process. The result is a series of wall pieces that feel like geological studies, windows into the making process itself.
Ceramic · Liquid Metal
Edition of 5 — 2 remaining
A sculptural vessel form where hand-thrown ceramic meets liquid metal finishing. The interior retains the raw ceramic texture while the exterior is coated in a reflective liquid metal layer, creating a dialogue between the organic and the refined. Each piece is a meditation on duality — raw and refined, ancient and contemporary, intimate and monumental.
Resin · Liquid Metal
45 × 35 cmThe Cortex Side Table explores the dialogue between organic fluidity and metallic precision. A resin body — layered, translucent, alive with depth — meets a liquid metal surface that shifts between warm and cool tones as you move around it. The form is inspired by natural cross-sections, as if the table were sliced from something larger and older, revealing the material intelligence within. Each piece is hand-poured and finished over several days, ensuring no two are identical in their internal colour movement.
Beech Wood · Straw Marquetry
45 × 35 cmA side table clad entirely in blue straw marquetry: top, sides, and legs. Hand-cut strips laid one by one into a tight geometric pattern that shifts in tone and depth with every change of light and angle. Beech wood structure beneath. Built slowly, by hand.
Beech Wood · Straw Marquetry · Resin
110 × 40 cmThe Relic Central Table is a three-material composition that reads like a geological find, as though something ancient was unearthed and carefully preserved. A solid beech wood frame supports a surface where straw marquetry panels transition into clear resin sections, allowing you to see into the construction and the layered craft beneath. The resin acts as both a structural element and a window, revealing the point where natural material and human technique converge. The proportions — long and low — are designed for the centre of a living space, inviting both use and contemplation.
Resin · Liquid Metal
100 × 42 × 40 cmThe Venura is a dual-purpose form, a table that doubles as a bench, or a bench that happens to hold things. The design is deliberately ambiguous, inviting the owner to decide its role. A translucent resin body is finished in liquid metal, creating a surface that feels monolithic but carries light within it. The form is minimal and sculptural, with softened edges that suggest something shaped by time rather than drawn on a screen. At 100 cm long, it sits comfortably beside a sofa, at the foot of a bed, or as a standalone object in an entryway. The liquid metal exterior develops a subtle patina with age, making each piece more personal over time.
Materials are chapters in the same story craft begins. Each one is shaped by tradition, experimentation, and time, gathered into a library of textures and finishes. Less a catalogue than a record of what can be made, and a starting point for what comes next.

A hand-refined surface with depth, texture, and shifting light. Applied in layers, each coat adding tone and dimension until the finish becomes something between sculpture and skin.

A heritage technique with soft sheen and precise pattern work. Hand-cut strips of straw laid one by one, building pattern and light interaction through patient, focused craft.

Luminous detailing, cut and set with meticulous precision. Each piece shaped to catch and scatter light differently.

Texture and shadow shaped by the hand, not the machine. Each carved surface carries the rhythm of the maker.

Natural character, engineered into calm, enduring forms. Selected for grain, color, and the way it ages.

Layered effects and controlled translucency developed through trials. A material that rewards experimentation.

Stone chips, pigment, and binder, set and polished into seamless surfaces. A contemporary translation of an ancient technique, each composition a one-of-a-kind field of colour and texture.
Rituals of the hand.
Most of the crafts practiced here are older than anyone in the room. Straw marquetry, hand carving, metal work, stone shaping, inlay. They've survived centuries because someone, at every point along the way, decided they were worth keeping. We feel the same way. The workshop exists to produce objects that belong in the world, but also to make sure these techniques stay in motion. Not preserved behind glass. Alive, adapting, finding new reasons to exist with every project that comes through the door.
What keeps us going is the process itself. The way a wood surface transforms under a carving tool. The way liquid metal catches light differently with every coat. The way a straw pattern reveals itself slowly, strand by strand, over days of quiet, focused work. We experiment constantly: new material pairings, new applications for inherited techniques, new ways to discover, new applications for inherited techniques, new ways to discover what a surface is capable of becoming. Some experiments fail. The ones that don't become the work we're most proud of. There's no shortcut to that kind of discovery, and we wouldn't want one.
Process
How a single surface commission became a twelve-stage material research journey, and what we learned about oxidation, light, and patience.
March 2026
Material
February 2026
Perspective
January 2026
Process
December 2025
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Creative Works is a production house for furniture and art pieces. We work with designers, homeowners, and commercial clients across the full journey of a piece, from early concepts and material research to sampling and final production. The work is hands-on, detail-driven, and always rooted in craft.
At the core of what we do is material experimentation. We're constantly testing new combinations of surfaces, finishes, and techniques, pushing what's possible and developing new directions. Alongside client commissions, we create our own studio pieces — objects that reflect what excites us and what we believe craft can become.
A sketch, a mood, a finished drawing. We start where you are.
Nothing goes into production untested. We prototype until it's right.
The process isn't what we tolerate. It's what we love.
We experiment because standing still isn't an option.
Clients stay involved. Every step, every sample, every decision.
Creative Works is the design atelier of Colortek, building on decades of expertise in decorative finishes and surface innovation. Where Colortek brings material intelligence to architecture and interiors at scale, Creative Works applies that same knowledge to furniture, objects, and collectible design at the scale of individual pieces.
We're always open to conversations with artists, designers, and creatives who are looking for a material partner.
Get in TouchTell us about your project and when works for you. We'll confirm a time and any logistics within 24 hours. Consultations are free and available virtually, by phone, or in person.
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Message Us on WhatsAppLast updated: 20 October 2026
Creative Works is a Cairo-based production atelier of Colortek Egypt. We design and produce furniture, surfaces, and collectible objects on commission. This website — creativeworksatelier.com — presents our work and lets prospective clients contact us.
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Creative Works, an atelier of Colortek Egypt
Email: design@colortekegypt.com
Studio: Cairo, Egypt
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